kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
kekai-k:

phantomdaisyaurorachild:

kekai-k:

The Knights 2 (complete)

DIS IS GORGEOUS

Thank you
asylum-art:

Grotesque Portraits of People In Layers of Junk Food Convey Dangers of Mass Production by James OstrerPost-apocalyptic monsters molded from processed goods and sugar
Junk food tastes great going down, but when you look at it in the right light, you realize it’s something that probably shouldn’t be going inside your body. To highlight the corruption of globalisation, along with the increasingly dangerous methods of food production, photographer James Ostrer has created a series called “Wotsit All About.” It features people that look more like monsters hidden beneath layers of sweets and processed goods – with the end result being a hideous thing to behold.
asylum-art:

Grotesque Portraits of People In Layers of Junk Food Convey Dangers of Mass Production by James OstrerPost-apocalyptic monsters molded from processed goods and sugar
Junk food tastes great going down, but when you look at it in the right light, you realize it’s something that probably shouldn’t be going inside your body. To highlight the corruption of globalisation, along with the increasingly dangerous methods of food production, photographer James Ostrer has created a series called “Wotsit All About.” It features people that look more like monsters hidden beneath layers of sweets and processed goods – with the end result being a hideous thing to behold.
asylum-art:

Grotesque Portraits of People In Layers of Junk Food Convey Dangers of Mass Production by James OstrerPost-apocalyptic monsters molded from processed goods and sugar
Junk food tastes great going down, but when you look at it in the right light, you realize it’s something that probably shouldn’t be going inside your body. To highlight the corruption of globalisation, along with the increasingly dangerous methods of food production, photographer James Ostrer has created a series called “Wotsit All About.” It features people that look more like monsters hidden beneath layers of sweets and processed goods – with the end result being a hideous thing to behold.
asylum-art:

Grotesque Portraits of People In Layers of Junk Food Convey Dangers of Mass Production by James OstrerPost-apocalyptic monsters molded from processed goods and sugar
Junk food tastes great going down, but when you look at it in the right light, you realize it’s something that probably shouldn’t be going inside your body. To highlight the corruption of globalisation, along with the increasingly dangerous methods of food production, photographer James Ostrer has created a series called “Wotsit All About.” It features people that look more like monsters hidden beneath layers of sweets and processed goods – with the end result being a hideous thing to behold.
asylum-art:

Grotesque Portraits of People In Layers of Junk Food Convey Dangers of Mass Production by James OstrerPost-apocalyptic monsters molded from processed goods and sugar
Junk food tastes great going down, but when you look at it in the right light, you realize it’s something that probably shouldn’t be going inside your body. To highlight the corruption of globalisation, along with the increasingly dangerous methods of food production, photographer James Ostrer has created a series called “Wotsit All About.” It features people that look more like monsters hidden beneath layers of sweets and processed goods – with the end result being a hideous thing to behold.
asylum-art:

Grotesque Portraits of People In Layers of Junk Food Convey Dangers of Mass Production by James OstrerPost-apocalyptic monsters molded from processed goods and sugar
Junk food tastes great going down, but when you look at it in the right light, you realize it’s something that probably shouldn’t be going inside your body. To highlight the corruption of globalisation, along with the increasingly dangerous methods of food production, photographer James Ostrer has created a series called “Wotsit All About.” It features people that look more like monsters hidden beneath layers of sweets and processed goods – with the end result being a hideous thing to behold.

asylum-art:

Grotesque Portraits of People In Layers of Junk Food Convey Dangers of Mass Production by James OstrerPost-apocalyptic monsters molded from processed goods and sugar

Junk food tastes great going down, but when you look at it in the right light, you realize it’s something that probably shouldn’t be going inside your body. To highlight the corruption of globalisation, along with the increasingly dangerous methods of food production, photographer James Ostrer has created a series called “Wotsit All About.” It features people that look more like monsters hidden beneath layers of sweets and processed goods – with the end result being a hideous thing to behold.

(via asylum-art)

asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.
asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu
Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.
Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.
Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.

asylum-art:

Inspirational Art by Kenyan ArtistbWangechi Mutu

Wangechi Mutu is an African artist renowned for her haunting and dramatic female figures. An artist from Nairobi, Kenya, Mutu creates painted and collaged images of the female body offering a commentary on feminist and racial issues such as the history of women’s representation, cultural migration, global identity, colonial legacies, exoticism, and voyeuristic fascination.

Mutu’s work has been featured in museums and galleries all around the world exhibited in the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Kunstpalast Dusseldorf in Germany, and the Centre Pompidou in Paris. She participated in the 2004 Gwangju Biennale in South Korea. Her work has been featured in several major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President at the New Museum of Contemporary Art in New York and the Barbican in London, and USA Today at The Royal Academy in London. As a unique visual artist Mutu’s work has important political and social implications.

Wangechi Mutu observes: “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.” Piecing together magazine imagery with painted surfaces and found materials, Mutu’s collages explore the split nature of cultural identity, referencing colonial history, fashion and contemporary African politics.

(via asylum-art)

asylum-art:

Lucien Clergue Photography: Nus zébrés
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).
asylum-art:

Lucien Clergue Photography: Nus zébrés
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).
asylum-art:

Lucien Clergue Photography: Nus zébrés
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).
asylum-art:

Lucien Clergue Photography: Nus zébrés
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).
asylum-art:

Lucien Clergue Photography: Nus zébrés
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).
asylum-art:

Lucien Clergue Photography: Nus zébrés
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).
asylum-art:

Lucien Clergue Photography: Nus zébrés
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).
asylum-art:

Lucien Clergue Photography: Nus zébrés
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).

asylum-art:

Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).

newvagabond:

I freaked when this moved, I thought I was imagining it. xD

newvagabond:

I freaked when this moved, I thought I was imagining it. xD

(via tfpaddict)

calumisinmyhood:

captainbutttouch:

Eat your fucking heart out 
I’m the cutest thing alive 

QUEN QUEEN QUEEN
calumisinmyhood:

captainbutttouch:

Eat your fucking heart out 
I’m the cutest thing alive 

QUEN QUEEN QUEEN
calumisinmyhood:

captainbutttouch:

Eat your fucking heart out 
I’m the cutest thing alive 

QUEN QUEEN QUEEN
calumisinmyhood:

captainbutttouch:

Eat your fucking heart out 
I’m the cutest thing alive 

QUEN QUEEN QUEEN
calumisinmyhood:

captainbutttouch:

Eat your fucking heart out 
I’m the cutest thing alive 

QUEN QUEEN QUEEN

calumisinmyhood:

captainbutttouch:

Eat your fucking heart out 

I’m the cutest thing alive 

QUEN QUEEN QUEEN

(via redmiel)

1910-again:

Lizzy Ansingh, The Performance 1944

Maria Elisabeth Georgina Ansingh, or Lizzy Ansingh, was a Dutch painter largely known for her portraits and paintings of dolls arranged in theatrical and sometimes fantastic scenarios. “The Performance” is one of the more surreal examples of her work.

(via lupevision)

littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ
littlekillerpandaz:

ufansius:

Adam Wallacavage

I WANT THEM ALL MORGAN PLZ